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26 UMMA Objects
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This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Carnival
1934 – 1967
Museum Purchase
1971/2.150.12
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Odalisque
1934 – 1967
Museum Purchase
1971/2.150.3
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Mineral Countenance
1934 – 1967
Museum Purchase
1971/2.150.7
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Temptation of Saint Anthony
1934 – 1967
Museum Purchase
1971/2.150.8
Top of a waterfall into a sparsely-settled mountain valley.
Ilse Bing (American (North American))
Waterfall
1938
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.33
Square black and white photograph depicting three smoke rings that float in the air against a black backdrop. The rings appear in a diagonal pattern, one in the lower left corner, one in the center and one in the upper right corner.
Donald Sultan
Smoke Rings
2005
Gift of the artist
2009/1.472
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Girl Undressing
1934 – 1967
Museum Purchase
1971/2.150.6
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Fruit Woman
1934 – 1967
Museum Purchase
1971/2.150.1
This print has a dark background with light colored designs so it is in the negative of normal prints. Designs include a large bicycle wheel, a floral outline in upper left hand corner, horizontal lines and checkered pattern on the right. The text: &quot;Clich&eacute; Verre&quot; and &quot;Hand Drawn Light Printed&quot; appear in the center of work. &quot;July 12&quot; and &quot;August 21&quot; appear on right side, within horizontal lines, and &quot;The Detroit Institute of Arts&quot; is along the left horizontal edge.
Robert Rauschenberg (American (North American))
Cliché Vere
1980
Gift of Dr. Sheldon and Jessie Stern
2006/2.78
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Stripped Woman of Seville
1934 – 1967
Museum Purchase
1971/2.150.2
This image is one of twelve photographs from Brassaï's <em>Transmutations</em> portfolio. In this photograph, Brassaï has drawn on a negative of a female figure using the cliché-verre process. The resulting image portrays a female nude partially abstracted into geometric shapes.
Brassaï (French (culture or style))
Young Girl Dreaming
1934 – 1967
Museum Purchase
1971/2.150.9
Ansel Adams seated in a chair, graphic curtains behind. His hand is to his head and he is wearing glasses.
Bill Wright
Portait of Ansel Adams, Yosemite
1981
Gift from the Collection of David S. Rosen MD, MPH
2013/2.192
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